"Spirit? Oh well, it's dazzlingly obvious then. The spirit's role's always unpredictable, you know that. It exists to galvanize and revitalize the elements around it. Here's a boy whose hatred of authority is such that he even rebels against us. I think he's here to test you to your limits, Gideon, that's what I think. He's here to shake you to the core." Grant Morrison, The Invisibles
Showing posts with label magic. Show all posts
Showing posts with label magic. Show all posts
Sunday, August 4, 2013
Tuesday, April 2, 2013
If You Were There, You Are There Now
I brought a case of the blues back with me from vacation. Amy Schneider's class tonight helped a great deal. I wasn't at my best, but I made the conscious effort to not let the blues stop me but to integrate the blues into my practice. I worked with the blues, rather than against it. I decided to be softer and more fluid. It felt great.
Still, in savasana, the blues planted doubts in my head. The blues said that I'd never reach the states of awareness that I wanted to reach, or even make it back to the states of mind where I felt I was making real progress in the past.
But, see, the blues fucked up when they mentioned the past, because I know enough about theoretical physics to be dangerous. Theoretical physics sees time as a dimension like space, which opens the door for time travel and other, more interesting ideas. Grant Morrison introduced me to one of my favorites, which is, if we were all fifth dimensional entities that could look down on the four dimensions humans perceive, we could theoretically point to different areas in time, and we'd see that all moments in time are actually part of the same thing and could really be said to be happening at once.
So, if that's the case, every moment in my life is happening right now. The time years ago in Florida where the universe manifested itself to me as interlocking golden light that makes up everything is happening right now. The time in savasana where I realized that God is real is happening right now. There's no beginning or ending to anything, which means that if I have ever had a transcendent, spiritual moment in which I glimpsed higher existence, I can have it right now, if I just open myself to it.
And since we're all one thing anyway, if I've had such moments, you can too.
Needless to say, savasana got really, really trippy after that. And really, really good.
Still, in savasana, the blues planted doubts in my head. The blues said that I'd never reach the states of awareness that I wanted to reach, or even make it back to the states of mind where I felt I was making real progress in the past.
But, see, the blues fucked up when they mentioned the past, because I know enough about theoretical physics to be dangerous. Theoretical physics sees time as a dimension like space, which opens the door for time travel and other, more interesting ideas. Grant Morrison introduced me to one of my favorites, which is, if we were all fifth dimensional entities that could look down on the four dimensions humans perceive, we could theoretically point to different areas in time, and we'd see that all moments in time are actually part of the same thing and could really be said to be happening at once.
So, if that's the case, every moment in my life is happening right now. The time years ago in Florida where the universe manifested itself to me as interlocking golden light that makes up everything is happening right now. The time in savasana where I realized that God is real is happening right now. There's no beginning or ending to anything, which means that if I have ever had a transcendent, spiritual moment in which I glimpsed higher existence, I can have it right now, if I just open myself to it.
And since we're all one thing anyway, if I've had such moments, you can too.
Needless to say, savasana got really, really trippy after that. And really, really good.
Wednesday, February 20, 2013
Meditation Overload
I am in the midst of an identity crisis that cuts to the core of who and what I want to be.
Do I want an end to suffering?
Do I want to awaken?
Or do I want to transcend the limits of human perception and trip the light fantastic?
The first wonderful experience I had in meditation came about two years ago, thanks to Grant Morrison and his wonderful little book called The Invisibles. Morrison sold me on the idea that there was a hidden world just outside of the reach of the every day that humans had and could access, if they'd just dive far enough into the weird and wild, where all the good stuff resides. The fan website Barbelith led me to Condensed Chaos, which is as good an introduction into the principals of magic as I can imagine.
One of the first things an aspiring magician needs to learn is how to achieve the gnostic state. Basically, you close your eyes or look into a mirror or a bowl of water and just...let you mind go, wander, play. Don't forbid yourself from seeing anything, and you might see everything. When I stopped worrying about whether what I was seeing was real, I could see a lot more cool stuff, a lot more meaningful stuff. I saw myself as Gandalf retreating to my castle of ice. I met my spirit animal, the grey wolf. I journeyed deep into the heart of death and found complete peace there. I learned so much about myself, and I felt I was moving forward.
Books got me on the gnostic path, so it's fitting that a book should have knocked me from it. Magic had shown me glimpses of the whole world, but I didn't want a piece of the world. I wanted the whole thing, and Buddhism Plain & Simple seemed to offer that. All one had to do was let go of everything superfluous and just...wake up. Awaken to ultimate reality. Right now, because there is only now. The key wasn't to let your mind wander but to stay present in the moment. If one could understand right now completely, without hope or fear of anything else, one might actually wake up, and then one really could see everything. As I learned just a little bit about Tibetan Buddhism, I saw a lot of stuff floating around like bodhisattavas that matched some of what I saw in gnosis, which only furthered my belief that Buddhism was big enough to encompass magic and a lot of other stuff. I felt I was moving forward.
With the beginning of yoga teacher training, I've encountered a third organizing principle for meditation. Yogic meditation seems to want to calm the fluctuations of the mind, not for the sake of awakening, but just because. Because it will make you better, fuller, more content. I confess I've thought the least about this type of meditation and that it appeals to me the least.
Frankly, all that the yogic ideas behind meditation have done is bring to a head a situation that had been developing for quite some time, which is that I've officially hit meditation overload. Too many chefs have spoiled the broth. I'm confused. I don't know whether to seek calm or enlightenment or visions from another dimension of reality. Too many ideas are competing for the time I spend in lotus. I don't feel like I'm moving forward.
In the long run, I'm not too concerned about where I am. I'm not going to stop meditating, and I recognize that even the best journeys have times spent at pit stops, lost, or stuck in a ditch. I believe Steve Hagen when he says that all we need to do is show up and meditate each day, and the practice will teach us everything we need to know. Ultimately, I think all of these paths have one final destination, anyway. The Buddha and the great magicians and yogis of history are all chilling at the top of the same mountain together, calmly sipping mushroom tea and tripping off the world in all its glory.
I get all that.
But that doesn't mean I'm not frustrated now.
Do I want an end to suffering?
Do I want to awaken?
Or do I want to transcend the limits of human perception and trip the light fantastic?
The first wonderful experience I had in meditation came about two years ago, thanks to Grant Morrison and his wonderful little book called The Invisibles. Morrison sold me on the idea that there was a hidden world just outside of the reach of the every day that humans had and could access, if they'd just dive far enough into the weird and wild, where all the good stuff resides. The fan website Barbelith led me to Condensed Chaos, which is as good an introduction into the principals of magic as I can imagine.
One of the first things an aspiring magician needs to learn is how to achieve the gnostic state. Basically, you close your eyes or look into a mirror or a bowl of water and just...let you mind go, wander, play. Don't forbid yourself from seeing anything, and you might see everything. When I stopped worrying about whether what I was seeing was real, I could see a lot more cool stuff, a lot more meaningful stuff. I saw myself as Gandalf retreating to my castle of ice. I met my spirit animal, the grey wolf. I journeyed deep into the heart of death and found complete peace there. I learned so much about myself, and I felt I was moving forward.
Books got me on the gnostic path, so it's fitting that a book should have knocked me from it. Magic had shown me glimpses of the whole world, but I didn't want a piece of the world. I wanted the whole thing, and Buddhism Plain & Simple seemed to offer that. All one had to do was let go of everything superfluous and just...wake up. Awaken to ultimate reality. Right now, because there is only now. The key wasn't to let your mind wander but to stay present in the moment. If one could understand right now completely, without hope or fear of anything else, one might actually wake up, and then one really could see everything. As I learned just a little bit about Tibetan Buddhism, I saw a lot of stuff floating around like bodhisattavas that matched some of what I saw in gnosis, which only furthered my belief that Buddhism was big enough to encompass magic and a lot of other stuff. I felt I was moving forward.
With the beginning of yoga teacher training, I've encountered a third organizing principle for meditation. Yogic meditation seems to want to calm the fluctuations of the mind, not for the sake of awakening, but just because. Because it will make you better, fuller, more content. I confess I've thought the least about this type of meditation and that it appeals to me the least.
Frankly, all that the yogic ideas behind meditation have done is bring to a head a situation that had been developing for quite some time, which is that I've officially hit meditation overload. Too many chefs have spoiled the broth. I'm confused. I don't know whether to seek calm or enlightenment or visions from another dimension of reality. Too many ideas are competing for the time I spend in lotus. I don't feel like I'm moving forward.
In the long run, I'm not too concerned about where I am. I'm not going to stop meditating, and I recognize that even the best journeys have times spent at pit stops, lost, or stuck in a ditch. I believe Steve Hagen when he says that all we need to do is show up and meditate each day, and the practice will teach us everything we need to know. Ultimately, I think all of these paths have one final destination, anyway. The Buddha and the great magicians and yogis of history are all chilling at the top of the same mountain together, calmly sipping mushroom tea and tripping off the world in all its glory.
I get all that.
But that doesn't mean I'm not frustrated now.
Tuesday, January 8, 2013
Dream Weaver
I have broken the Seventh Seal of the New Age Apocalypse. I have started to keep a dream journal. If you don't, I cannot recommend it enough.
I never gave dreams much thought, even when I encountered therapists who encouraged me to treat them more seriously. The psychological approach to dreams seems so clinical and cold to me, and, although I never consciously had this thought, I think I always wanted my dreams to remain free, wild, and mysterious. The idea of putting dreams on the couch seemed to rob them of all their potency.
Thanks to Arthur Magazine, I know I'm not the only one that feels that way. The cover story of their big comeback issue is an interview with comic book artist Rick Veitch, who has spent the better part of 20 years writing and illustrating his dreams for over 20 years. That's his work on the cover.
Something about the combination of dreams and comic books spoke to me. Comics are one of the last places where the free, wild, and mysterious can still bubble up into the larger culture, unless you think a Norse god teaming up with the Tin Man and an unfrozen WWII soldier is standard everyday happenings. I love comics but have never been able to participate in the creative process. I can't draw, and I haven't written any fiction since high school.
Rick Veitch tells me I don't need to do either. All I need to do is dream, and I can play with the same magic he does.
So, yeah, I started a dream journal this weekend, and I am already amazed at what I am uncovering. Thus far, because the cosmos has a sense of humor, the primary benefits I have seen have been psychological. I am amazed at what writing and rehashing my dreams has told me about how I carry guilt around. Some of the details have been painful to write down, but doing so has let me walk around this week with a little less weight on my shoulders. Being aware of some previously subconscious coping mechanisms has let me understand myself a little better, and I'm able to be just that much gentler with myself.
Thus far, I haven't dreamt up the next great superhero franchise, but, hey, the Dream Every Day Project is less than a week old. Give it time.
I never gave dreams much thought, even when I encountered therapists who encouraged me to treat them more seriously. The psychological approach to dreams seems so clinical and cold to me, and, although I never consciously had this thought, I think I always wanted my dreams to remain free, wild, and mysterious. The idea of putting dreams on the couch seemed to rob them of all their potency.
Thanks to Arthur Magazine, I know I'm not the only one that feels that way. The cover story of their big comeback issue is an interview with comic book artist Rick Veitch, who has spent the better part of 20 years writing and illustrating his dreams for over 20 years. That's his work on the cover.
Something about the combination of dreams and comic books spoke to me. Comics are one of the last places where the free, wild, and mysterious can still bubble up into the larger culture, unless you think a Norse god teaming up with the Tin Man and an unfrozen WWII soldier is standard everyday happenings. I love comics but have never been able to participate in the creative process. I can't draw, and I haven't written any fiction since high school.
Rick Veitch tells me I don't need to do either. All I need to do is dream, and I can play with the same magic he does.
So, yeah, I started a dream journal this weekend, and I am already amazed at what I am uncovering. Thus far, because the cosmos has a sense of humor, the primary benefits I have seen have been psychological. I am amazed at what writing and rehashing my dreams has told me about how I carry guilt around. Some of the details have been painful to write down, but doing so has let me walk around this week with a little less weight on my shoulders. Being aware of some previously subconscious coping mechanisms has let me understand myself a little better, and I'm able to be just that much gentler with myself.
Thus far, I haven't dreamt up the next great superhero franchise, but, hey, the Dream Every Day Project is less than a week old. Give it time.
Tuesday, January 1, 2013
Everything and Nothing That You Were
Yesterday, as part of its year in review, the New York Times ran a memoriam for Beastie Boy Adam Yauch that didn't sit well with me. Specifically, it maintained that MCA was never down with the Licensed To Ill-era frivolity:
"“Fight for Your Right” created expectations; the Beasties met those expectations by touring with cage dancers and a giant inflatable penis and hosing one another down with Budweiser onstage. But they weren’t those guys, not really....Even in “Licensed to Ill”-era interviews, you can see the Beasties already growing weary of playing the roles they’d assigned themselves."
This, frankly, is a load of shit. Yauch himself, in a quote the author includes, noted that he was more than willing to play along with the shenanigans: “I went and got drunk and made some stupid music.”
I have a problem with any attempt to scrub a person's record after they die. To do it after a Buddhist dies seems especially disrespectful and clueless.
Look, MCA was an asshole. He was a guy who gleefully made a lot of money putting women in cages on a stage.
And then he changed.
When we pretend, "oh, he was always this saintly person, they didn't REALLY mean all the bad shit they did," all we do is miss the fundamental lesson: Adam Yauch was an asshole. In my life, I have certainly been an asshole. If you haven’t been an asshole, you’ve been something else that you’re not proud of.
You know who else was things he wasn’t proud of? The Buddha. I prefer not to get into the Buddha’s previous lives stuff, but even if you accept that he was the end result of a lot of lives dedicated towards awakening, at the beginning of that chain of lives, the Buddha was not special. He was not a saint. He was as far from perfect as the rest of us. At some point in his chain of lives, the Buddha was an average guy.
And then he changed.
He got better. He found calm, and he knew that if he, vile sinner though he might be, could find enlightenment, anyone can.
When we make people we admire into saints, we rob them of their humanity, and we lose the most critical message of their lives, which is that anyone can be a hero. Anyone can wake up. It doesn’t take someone special. It doesn’t take a saint. It takes you, and you can do it right now. No matter what you or I have done, an end of our suffering is available to us. It is our birthright, it is our destiny, and we can have it right now, in this moment.
Happy New Years.
"“Fight for Your Right” created expectations; the Beasties met those expectations by touring with cage dancers and a giant inflatable penis and hosing one another down with Budweiser onstage. But they weren’t those guys, not really....Even in “Licensed to Ill”-era interviews, you can see the Beasties already growing weary of playing the roles they’d assigned themselves."
This, frankly, is a load of shit. Yauch himself, in a quote the author includes, noted that he was more than willing to play along with the shenanigans: “I went and got drunk and made some stupid music.”
I have a problem with any attempt to scrub a person's record after they die. To do it after a Buddhist dies seems especially disrespectful and clueless.
Look, MCA was an asshole. He was a guy who gleefully made a lot of money putting women in cages on a stage.
And then he changed.
When we pretend, "oh, he was always this saintly person, they didn't REALLY mean all the bad shit they did," all we do is miss the fundamental lesson: Adam Yauch was an asshole. In my life, I have certainly been an asshole. If you haven’t been an asshole, you’ve been something else that you’re not proud of.
You know who else was things he wasn’t proud of? The Buddha. I prefer not to get into the Buddha’s previous lives stuff, but even if you accept that he was the end result of a lot of lives dedicated towards awakening, at the beginning of that chain of lives, the Buddha was not special. He was not a saint. He was as far from perfect as the rest of us. At some point in his chain of lives, the Buddha was an average guy.
And then he changed.
He got better. He found calm, and he knew that if he, vile sinner though he might be, could find enlightenment, anyone can.
When we make people we admire into saints, we rob them of their humanity, and we lose the most critical message of their lives, which is that anyone can be a hero. Anyone can wake up. It doesn’t take someone special. It doesn’t take a saint. It takes you, and you can do it right now. No matter what you or I have done, an end of our suffering is available to us. It is our birthright, it is our destiny, and we can have it right now, in this moment.
Happy New Years.
Monday, December 31, 2012
On Drinking
It's New Year's Resolution season, and I've got the fever. For my 2013 resolution, I shall undertake one of the most common resolutions. I shall try to drink less.
A bit of context is important, especially since my boss is one of the more frequent readers of this blog, post reboot (hi, Russ!). I don't feel that I drink too much now. I mean, self deluders of the world unite and everything, but in my case, I really don't think I'm what society would consider a problem drinker. I have a beer after work about 2-3 days per week. I will have more than that most weekend nights, but seldom more than four. If I have four, I will not drive, because I know that four beers equals .08 BAC equals our good friend John Dewey. Most importantly, my drinking has not caused any problems in my life of which I am aware. My family and friends have not indicated any level of discomfort.
With that disclaimer out of the way, one can reasonably ask the question: if no one thinks you have a drinking problem, why the resolution to drink less? To answer, I need to reference an idea that has been percolating at the back of my mind for some time but came into focus when I read Anthony Alvardo's excellent D.I.Y. Magic. The book contains a whole chapter on different legal substances one can consume to alter one's perspective, like a bunch of coffee or yerba root. He also, as I recall, delves into the effects of several illegal substances, none of which I use or will use, because I like being employed.
Anyway, the idea that crystallized reading Alvardo was that one should use or not use substances to alter perception, a topic that frequent readers will note is one of this blog's animating ideas. Almost all of the ideas that grab me these days, from Buddhism to string theory to magic to whatever, speak to man's limited ability to perceive reality in his normal state and his potential to transcend these limitations and grasp reality more fully. To me, any effort that changes my normal practice with minimal foreseeable negative consequences is worth the effort.
Well, what's more normal for me than drinking? I've been going out and having a pint ever since it was legal to do so, and I don't really know what my body and my mind and my soul are like without the limited amount of alcohol I do consume. Can I handle awkward social situations without liquid courage? Will cutting back on booze improve my yoga, my meditation, my gnosis, and my learning? Does alcohol have positive effects that I take for granted but will become aware of in their absence?
I have no intention whatsoever of cutting out all alcohol now or ever. There are too many things to love, and I will never pass up scotch with my lady or cocktails at the Velvet Tango Room or Kirin Lights with Jimmy and Beav or Untappd check ins or...well, any time that is special, and feels like the use of alcohol will push me towards the kind of freer mind and body that I am trying to develop.
But give up alcohol as part of day-to-day life and see what happens? Yeah, that's something that very well may shift my perspective. Sign me up.
A bit of context is important, especially since my boss is one of the more frequent readers of this blog, post reboot (hi, Russ!). I don't feel that I drink too much now. I mean, self deluders of the world unite and everything, but in my case, I really don't think I'm what society would consider a problem drinker. I have a beer after work about 2-3 days per week. I will have more than that most weekend nights, but seldom more than four. If I have four, I will not drive, because I know that four beers equals .08 BAC equals our good friend John Dewey. Most importantly, my drinking has not caused any problems in my life of which I am aware. My family and friends have not indicated any level of discomfort.
With that disclaimer out of the way, one can reasonably ask the question: if no one thinks you have a drinking problem, why the resolution to drink less? To answer, I need to reference an idea that has been percolating at the back of my mind for some time but came into focus when I read Anthony Alvardo's excellent D.I.Y. Magic. The book contains a whole chapter on different legal substances one can consume to alter one's perspective, like a bunch of coffee or yerba root. He also, as I recall, delves into the effects of several illegal substances, none of which I use or will use, because I like being employed.
Anyway, the idea that crystallized reading Alvardo was that one should use or not use substances to alter perception, a topic that frequent readers will note is one of this blog's animating ideas. Almost all of the ideas that grab me these days, from Buddhism to string theory to magic to whatever, speak to man's limited ability to perceive reality in his normal state and his potential to transcend these limitations and grasp reality more fully. To me, any effort that changes my normal practice with minimal foreseeable negative consequences is worth the effort.
Well, what's more normal for me than drinking? I've been going out and having a pint ever since it was legal to do so, and I don't really know what my body and my mind and my soul are like without the limited amount of alcohol I do consume. Can I handle awkward social situations without liquid courage? Will cutting back on booze improve my yoga, my meditation, my gnosis, and my learning? Does alcohol have positive effects that I take for granted but will become aware of in their absence?
I have no intention whatsoever of cutting out all alcohol now or ever. There are too many things to love, and I will never pass up scotch with my lady or cocktails at the Velvet Tango Room or Kirin Lights with Jimmy and Beav or Untappd check ins or...well, any time that is special, and feels like the use of alcohol will push me towards the kind of freer mind and body that I am trying to develop.
But give up alcohol as part of day-to-day life and see what happens? Yeah, that's something that very well may shift my perspective. Sign me up.
Friday, June 29, 2012
What We Owe the Gay Community
On Sunday, I had a great exchange with friend and former PASC staff member Saige Martin. He indicated that he would never attend a Pride parade so long as they continued to be the gaudy, flashy, decadent events they often are. In his view, such events provided fodder for the Right's efforts to continue the systematic oppression of the LGBT community. Saige would like to see Pride parades that show community members as normal people wearing normal clothes and acting in ways that the broader society would consider socially acceptable. In Saige's eyes, such parades would go a long way to erasing negative stereotypes and help the efforts of activists like himself to ensure full equal treatment for people of all sexual orientations.
(I've tried to summarize Saige's argument as best I can. Saige, if you read this, please feel free to clarify anything I got wrong.)
In case you couldn't tell from my entry on the Sexcamaids, I feel a lot more positive towards Pride. As pessimistic as I can be on a lot of issues, I am very optimistic that Western society is moving towards personal liberty, at least on social issues. Each year, more and more people seem willing to accept other people's lifestyles, so long as they do not harm someone else. We've clearly got a long way to go, but relative to where we were even 20 years ago, we're moving in the right direction.
And society owes a lot of this progress to the LGBT community. I am no expert on the history of personal expression in the Twentieth Century, but here's how I see it: after the backlash against the social movements of the 1960s, most groups stopped pushing the envelope and started to work for more incremental solutions, solutions that the mainstream society could accept. Word to them. That's one, completely legitimate way to achieve social change. Certainly, parts of the LGBT community adopted that strategy.
But other parts of the LGBT community seemed unwilling to compromise. Given even the tiniest opening as a result of the upheaval in the 1960s, certain people decided that they could not nor would not go back to the way things were and that they needed to allow their personality to flower in full. I see Pride as an outgrowth of that. The average gay man couldn't strut and preen in public like, oh, Elton John or Liberace...except at selected events one or two times a year, where, if only for a moment, they could express themselves. Hell, they could even go OVERBOARD in expressing themselves. In other words, while the rest of society moved away from expression at all costs, parts of the LGBT community embraced it.
We know how I feel about outlandish public displays of self-expression. But heterosexuals like myself have the privilege of being able to be as flamboyant as we want in public while still enjoying all the rights that come as part of what is deemed as normal and avoiding the stigma attached to being in the out group (no pun intended, but it's pretty good, isn't it?). I can't even imagine the courage it took just to put on a damn costume and dance in the streets during the 1980s and AIDS and all that horseshit.
So, to the LGBT community: thank you. Thank you for pushing the envelope. I know you don't necessarily do it for the broader society, but the broader society needs what you do. It needs to regard gender roles as more fluid. It needs to see that sexuality can be public without being vulgar. It needs so many of the things that it wouldn't acknowledge without you.
PS: I am sure everyone can tell, but I am painfully inexperienced at writing and thinking about issues of sexuality. In referring to the LGBT community, I've tried to use the terms I thought were most accurate or complimentary, but I freely admit I may have used the wrong words at places. Please feel free to correct me so I can get it right next time.
(I've tried to summarize Saige's argument as best I can. Saige, if you read this, please feel free to clarify anything I got wrong.)
In case you couldn't tell from my entry on the Sexcamaids, I feel a lot more positive towards Pride. As pessimistic as I can be on a lot of issues, I am very optimistic that Western society is moving towards personal liberty, at least on social issues. Each year, more and more people seem willing to accept other people's lifestyles, so long as they do not harm someone else. We've clearly got a long way to go, but relative to where we were even 20 years ago, we're moving in the right direction.
And society owes a lot of this progress to the LGBT community. I am no expert on the history of personal expression in the Twentieth Century, but here's how I see it: after the backlash against the social movements of the 1960s, most groups stopped pushing the envelope and started to work for more incremental solutions, solutions that the mainstream society could accept. Word to them. That's one, completely legitimate way to achieve social change. Certainly, parts of the LGBT community adopted that strategy.
But other parts of the LGBT community seemed unwilling to compromise. Given even the tiniest opening as a result of the upheaval in the 1960s, certain people decided that they could not nor would not go back to the way things were and that they needed to allow their personality to flower in full. I see Pride as an outgrowth of that. The average gay man couldn't strut and preen in public like, oh, Elton John or Liberace...except at selected events one or two times a year, where, if only for a moment, they could express themselves. Hell, they could even go OVERBOARD in expressing themselves. In other words, while the rest of society moved away from expression at all costs, parts of the LGBT community embraced it.
We know how I feel about outlandish public displays of self-expression. But heterosexuals like myself have the privilege of being able to be as flamboyant as we want in public while still enjoying all the rights that come as part of what is deemed as normal and avoiding the stigma attached to being in the out group (no pun intended, but it's pretty good, isn't it?). I can't even imagine the courage it took just to put on a damn costume and dance in the streets during the 1980s and AIDS and all that horseshit.
So, to the LGBT community: thank you. Thank you for pushing the envelope. I know you don't necessarily do it for the broader society, but the broader society needs what you do. It needs to regard gender roles as more fluid. It needs to see that sexuality can be public without being vulgar. It needs so many of the things that it wouldn't acknowledge without you.
PS: I am sure everyone can tell, but I am painfully inexperienced at writing and thinking about issues of sexuality. In referring to the LGBT community, I've tried to use the terms I thought were most accurate or complimentary, but I freely admit I may have used the wrong words at places. Please feel free to correct me so I can get it right next time.
Monday, June 25, 2012
Sex and Mermaids
What's it like to be down with the Sexcamaids?
You may have seen stories or, hopefully, pictures from Coney Island's 30th Annual Mermaid Parade, held this past Saturday. Basically, the Mermaid Parade is a Pride for everyone, a chance for any and all to let their freak flag fly in the middle of Brooklyn in front of half a million people.
In my incredibly biased opinion, no group better represents what the Mermaid Parade is and should be all about than the lovely Sexcamaids, a dance troupe that calls themselves 'the sirens of the sex world." Saturday, they were the ladies wearing just enough clothes, rocking the best, most coordinated moves, pushing the loudest, rudest speaker stack, and otherwise behaving like those untouchable bad girls you were scared to talk to in high school.
(Please keep in mind that a heterosexual man wrote the preceding paragraph and that your experience with the Sexcamaids may vary. For example, every little girl saw the coolest set of big sisters to ever walk the Earth. If you want to see happy, you should see an 6 year old girl who sees the Sexcamaids and realizes that, despite whatever her parents have told her, she can play dress up for the rest of her life.)
I had the opportunity to join the 2012 version of Maids' support group, the (ahem) Sea Men. The Sea Men are the Alfred to the Maids' Batman. We do the logistical stuff that kept them dancing and looking good. We push along the sound system that plays their music. We drag along the coolers and give them the water that keeps them from passing out. We deal with the overzealous paparazzi. As befitting any superhero support team, the Sea Men are in costume, which is how I found myself pulling a cooler and dancing down the streets of Coney Island wearing nothing but a sailor's hat and a pair of white rhinestone-encrusted booty shorts.
It was one of the best experiences of my life. Even as a sidekick, I felt and still feel like an honest-to-God superhero.
I had a bit of a "come to Jesus" moment Saturday. Now I understand, to a far greater extent, Pride and Goth and Lady Gaga and S&M and so many other things. Such diverse phenomenon usually get lumped under the banner of sexuality, but after Saturday, I'm convinced that all of these things are about so much more than sex. They're about expression and freedom and experimentation and role play and performance and power and giving it up and community and billion other things for which either I can't find the word or the word doesn't exist. We lump so many things under the banner of sexuality because, like sex, we're profoundly scared of many of these things, because they're SO powerful. We worry that if we let them out even a little, they threaten to flood us and knock away all they fragile little bridges we've built that we think makes us into functional adults who don't have to sleep in cardboard boxes.
I'm not a stranger to self expression or risk taking or any of this stuff, but being a Sea Man hit me in a way I hadn't experienced before. My enduring memory of the 2012 Mermaid Parade will be that I played with the boundaries of who I was in a way that I hadn't done before, and I had 500,000 people in the crowd who were THRILLED that I was doing so. When you take a risk and show some side of you that you've rarely shown before in front of that many people, and they show you so much love in return, it can make you feel like every chance you've ever taken to be a better, more complete, more free person was completely worth it, and it makes you want to do it again and again.
Even if you can't see yourself down with the short shorts and pasties crowd, the Mermaid Parade and the Sexcamaids have a lesson for you, and it's really probably the only lesson that matters. You know that thing you want to try, but you're scared? You're worried you'll get fired, or your spouse will judge you, or you're just too old/Christian/cool/whatever? Do it. Find a safe space and supportive, decent, caring people who will provide you a healthy environment to try something you've never tried or even though of, and let it rip. There's nothing to lose and everything, everything, everything to gain.
Thank you for letting me tag along, Sexcamaids. If you'll have me back, I'll haul, push, water, or whatever you need in 2013.
Postscript: Don't get me wrong. It's not not about sex either. Ladies, I am in love with each and every one of you, and so is the rest of New York. You know it, and you wouldn't have it any other way.
You may have seen stories or, hopefully, pictures from Coney Island's 30th Annual Mermaid Parade, held this past Saturday. Basically, the Mermaid Parade is a Pride for everyone, a chance for any and all to let their freak flag fly in the middle of Brooklyn in front of half a million people.
In my incredibly biased opinion, no group better represents what the Mermaid Parade is and should be all about than the lovely Sexcamaids, a dance troupe that calls themselves 'the sirens of the sex world." Saturday, they were the ladies wearing just enough clothes, rocking the best, most coordinated moves, pushing the loudest, rudest speaker stack, and otherwise behaving like those untouchable bad girls you were scared to talk to in high school.
(Please keep in mind that a heterosexual man wrote the preceding paragraph and that your experience with the Sexcamaids may vary. For example, every little girl saw the coolest set of big sisters to ever walk the Earth. If you want to see happy, you should see an 6 year old girl who sees the Sexcamaids and realizes that, despite whatever her parents have told her, she can play dress up for the rest of her life.)
I had the opportunity to join the 2012 version of Maids' support group, the (ahem) Sea Men. The Sea Men are the Alfred to the Maids' Batman. We do the logistical stuff that kept them dancing and looking good. We push along the sound system that plays their music. We drag along the coolers and give them the water that keeps them from passing out. We deal with the overzealous paparazzi. As befitting any superhero support team, the Sea Men are in costume, which is how I found myself pulling a cooler and dancing down the streets of Coney Island wearing nothing but a sailor's hat and a pair of white rhinestone-encrusted booty shorts.
It was one of the best experiences of my life. Even as a sidekick, I felt and still feel like an honest-to-God superhero.
I had a bit of a "come to Jesus" moment Saturday. Now I understand, to a far greater extent, Pride and Goth and Lady Gaga and S&M and so many other things. Such diverse phenomenon usually get lumped under the banner of sexuality, but after Saturday, I'm convinced that all of these things are about so much more than sex. They're about expression and freedom and experimentation and role play and performance and power and giving it up and community and billion other things for which either I can't find the word or the word doesn't exist. We lump so many things under the banner of sexuality because, like sex, we're profoundly scared of many of these things, because they're SO powerful. We worry that if we let them out even a little, they threaten to flood us and knock away all they fragile little bridges we've built that we think makes us into functional adults who don't have to sleep in cardboard boxes.
I'm not a stranger to self expression or risk taking or any of this stuff, but being a Sea Man hit me in a way I hadn't experienced before. My enduring memory of the 2012 Mermaid Parade will be that I played with the boundaries of who I was in a way that I hadn't done before, and I had 500,000 people in the crowd who were THRILLED that I was doing so. When you take a risk and show some side of you that you've rarely shown before in front of that many people, and they show you so much love in return, it can make you feel like every chance you've ever taken to be a better, more complete, more free person was completely worth it, and it makes you want to do it again and again.
Even if you can't see yourself down with the short shorts and pasties crowd, the Mermaid Parade and the Sexcamaids have a lesson for you, and it's really probably the only lesson that matters. You know that thing you want to try, but you're scared? You're worried you'll get fired, or your spouse will judge you, or you're just too old/Christian/cool/whatever? Do it. Find a safe space and supportive, decent, caring people who will provide you a healthy environment to try something you've never tried or even though of, and let it rip. There's nothing to lose and everything, everything, everything to gain.
Thank you for letting me tag along, Sexcamaids. If you'll have me back, I'll haul, push, water, or whatever you need in 2013.
Postscript: Don't get me wrong. It's not not about sex either. Ladies, I am in love with each and every one of you, and so is the rest of New York. You know it, and you wouldn't have it any other way.
Tuesday, February 28, 2012
The Black Swan, Speed Racer, and Why Good is Overrated
Last night, I watched The Black Swan for the first time.
Dawg, HER ARMS TURNED TO WINGS.
It has come to my attention that some fools didn't like this movie. Specifically, some fools be saying that this movie is melodramatic camp filled with ridiculous imagery.
Fools, STOP BEING FOOLS!! Of COURSE it's melodramatic camp! Some among you might recognize that there's nothing fundamentally wrong and a lot right with well-executed melodrama. But I'd argue that The Black Swan is cool and amazing beyond any camp elements. I love a well told, well executed plot as much as anyone, but to me, that's not what movies do best. Movies have the ability to take advantage of image and movement. Where a movie like Frost/Nixon, which I also love, uses plot as the device to engage the intelligent viewer, The Black Swan uses imagery, psychology, and melodrama. The Black Swan people spend just as much time thinking about what Natalie Portman should look like as the best traditional playwrites thought about crafting a coherent plot.
Besides, in the postmodern world, do you really care about why a really cool image hits the screen? Of course you don't. You care whether the sheer specter of Cthulhu coming out of the water is the most terrifying, nightmarish image you can think of, precisely because it comes from a place that doesn't entirely make sense to you. Does it hit you on a really primal, pre-rational level? Does it get into your dreams at night? Does it mess with your head, stick with you, blow open your mind to new possibilities about things that crawl around in muck hidden from everyday experience? These are the questions that matter for the most meaningful art of our age.
That might seem to lead to down the road where I'm apologizing for the Michael Bays and James Camerons of the world, but nothing could be further from the truth. Those lazy hacks are just playing to people's expectations and giving them comfort food. In of themselves, special effects do not blow people's minds, because special effects have become the expectation for a certain type of film. The people behind movies like The Black Swan, Speed Racer, and other such movies are working as hard as they can to expand our horizons. In true postmodern/hip-hop style, The Black Swan blends genres to create the effect. I can't imagine how the jerk marketing executives at Fox Searchlight felt when they started watching what they probably thought was going to be a beautiful little dance movie with Queen Amidala that they could sell to families at Christmas only to realize that it became a psychological piece about 30 minutes in and a complete psychedelic mindfck for the last half hour.
Look, man, I don't know how many ways to say it: the organizing principle of TWEDP is that human perception is limited, and that anything that gets us out of our rational mindset to consider what we have previously excluded is a great thing. I could never, ever, ever have imagined that a movie like The Black Swan, or the images within it, could be imagined by people. That makes it a win.
Dawg, HER ARMS TURNED TO WINGS.
It has come to my attention that some fools didn't like this movie. Specifically, some fools be saying that this movie is melodramatic camp filled with ridiculous imagery.
Fools, STOP BEING FOOLS!! Of COURSE it's melodramatic camp! Some among you might recognize that there's nothing fundamentally wrong and a lot right with well-executed melodrama. But I'd argue that The Black Swan is cool and amazing beyond any camp elements. I love a well told, well executed plot as much as anyone, but to me, that's not what movies do best. Movies have the ability to take advantage of image and movement. Where a movie like Frost/Nixon, which I also love, uses plot as the device to engage the intelligent viewer, The Black Swan uses imagery, psychology, and melodrama. The Black Swan people spend just as much time thinking about what Natalie Portman should look like as the best traditional playwrites thought about crafting a coherent plot.
Besides, in the postmodern world, do you really care about why a really cool image hits the screen? Of course you don't. You care whether the sheer specter of Cthulhu coming out of the water is the most terrifying, nightmarish image you can think of, precisely because it comes from a place that doesn't entirely make sense to you. Does it hit you on a really primal, pre-rational level? Does it get into your dreams at night? Does it mess with your head, stick with you, blow open your mind to new possibilities about things that crawl around in muck hidden from everyday experience? These are the questions that matter for the most meaningful art of our age.
That might seem to lead to down the road where I'm apologizing for the Michael Bays and James Camerons of the world, but nothing could be further from the truth. Those lazy hacks are just playing to people's expectations and giving them comfort food. In of themselves, special effects do not blow people's minds, because special effects have become the expectation for a certain type of film. The people behind movies like The Black Swan, Speed Racer, and other such movies are working as hard as they can to expand our horizons. In true postmodern/hip-hop style, The Black Swan blends genres to create the effect. I can't imagine how the jerk marketing executives at Fox Searchlight felt when they started watching what they probably thought was going to be a beautiful little dance movie with Queen Amidala that they could sell to families at Christmas only to realize that it became a psychological piece about 30 minutes in and a complete psychedelic mindfck for the last half hour.
Look, man, I don't know how many ways to say it: the organizing principle of TWEDP is that human perception is limited, and that anything that gets us out of our rational mindset to consider what we have previously excluded is a great thing. I could never, ever, ever have imagined that a movie like The Black Swan, or the images within it, could be imagined by people. That makes it a win.
Tuesday, February 14, 2012
A Valentine for You
Having done a lot of gratitude posts lately, I was a little hesitant to go forward with the following concept for Valentine's Day. I'm also conscious of not blowing up anyone's spot. I guess it's ok to put people's names in these blog entries, but I do want to respect the privacy of everyone, especially the people for which I am most grateful.
But then I thought again. The world needs nothing so much as it needs joy, equanimity, compassion, and kindness. In that spirit, Happy Valentine's Day to everyone, but especially to the following people. I'm keeping names out of it, but I'll be as specific as I can so you know when you're getting shouted out.
But then I thought again. The world needs nothing so much as it needs joy, equanimity, compassion, and kindness. In that spirit, Happy Valentine's Day to everyone, but especially to the following people. I'm keeping names out of it, but I'll be as specific as I can so you know when you're getting shouted out.
The Anthem. Get Your Damn Hands Up
- To my family, for everything ever but especially for their support over the last year.
- To my professional colleagues who have stood by me through the last year. I learned that the upper boundary of the best behavior from caring, dedicated professionals is much higher than I had thought.
- To my friends who have been with me from the jump. I could not have made it through without you.
- To my friends who I just connected with over the past year. You've made life in North Carolina richer and more fun than I thought possible.
- To everyone who has contributed to my yoga practice ever.
- To all the students I have had the pleasure of teaching.
- To the airplanes and internet providers that keep me close with all of the above.
- To the sun, the moon, the sky, the earth, and the spirit.
- To Lindsey Andrews, whose former FB profile pick I've been looking for an excuse to steal for months. Words to live by.
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Wednesday, February 1, 2012
January in Review
Analytics? Analytics. This will be a recurring feature in which I hold myself accountable and review how I did the month before, all in an effort to do better in the future
Days Blogged: 31 of 31, for a 100 percent blog rate
Days Missed, January: 0
Days Missed, 2012: 0
Southern Rap Classic Earned? Oh, indeed.
Most Viewed Post: Her and Me, January 1st
My Favorite Post: How To Change The World, January 28th
Post I Wish I Had To Do Over: The Ice Cube/Yoga post from yesterday. I'm in the middle of finishing an article submission of my scholarly work, and I was way too fried to take on something that ambitious.
Three Things I Learned
Days Blogged: 31 of 31, for a 100 percent blog rate
Days Missed, January: 0
Days Missed, 2012: 0
Southern Rap Classic Earned? Oh, indeed.
Most Viewed Post: Her and Me, January 1st
My Favorite Post: How To Change The World, January 28th
Post I Wish I Had To Do Over: The Ice Cube/Yoga post from yesterday. I'm in the middle of finishing an article submission of my scholarly work, and I was way too fried to take on something that ambitious.
Three Things I Learned
- Writing about magic does not go over with my initial audience.
- TWEDP can be a way to highlight the wonderful things that my friends are doing, and those stories seem to connect with readers.
- Writing every day is something I can manage.
Three Goals for February
- Clean up one of my yoga pieces and submit to Elephant Journal.
- Write about the work to which I am contributing for the Alliance for Student Activities.
- Write every day.
Reader Ratings: Super. Thanks for your time and your support.
Thursday, January 19, 2012
Spacing Out For Fun and Profit
Maybe the most basic magical technique I use on a semi-regular basis is called scrying. It's easy, it's helpful, you can do it even if you think magic is bs, and it can be a ton of fun.
Sit in front of something nondescript. I've read you should use a bowl of water or a mirror, but I've done it staring at a wall or into the darkness in bed. Then, relax your eyes and let your brain go wherever it wants, and trust that everything you are seeing is real.
In my two favorite scrying episodes, I've seen myself as a Gandalf-type figure in white robes and a kick-ass white beard living in a tower of ice, staring down at the pristine, icy landscape with regal disdain. I've met my spirit animal, the wolf, and I'm not sure he's a particularly friendly fellow. He tends to chase other creatures away and jealously hoard his kills. I've also stared into complete and utter nothingness, the darkness behind the dark, and found that it's not that bad. If that's the afterlife, at least it will be relaxing.
It's what the the shamanic among us might call "having visions." "Talking to spirits."
Are you freaked out? Feel the need for a confession and Hail Mary?
Relax. If nothing else, my "visions" give me an excuse to post up the picture of Three Wolf Moon.
And as you might guess from the quotation marks, I don't think there's anything paranormal or spooky about these "visions." I am sure that a reader can identify a psychological technique that calls for a subject to let his mind do whatever it wants and analyze the results--free association, maybe? That's all that's happening here.
I learned a great deal about myself from these episodes. I'm a loner. I like solitude. I can isolate myself and push people away. If you had asked me a year ago, I guess I would have said I knew this stuff about myself, but I certainly wouldn't have felt it in my gut and accepted it as true the way I do now.
And I'm a guy who wants healthy relationships, so it's pretty useful to know that I have this streak in me. It allows me to control how it manifests itself better, I hope. Maybe I'm a little less quick to blow people off.
The larger point: when I talk about magic, I could really care less about whether the tricks and spells work, although I have no doubt that they do, for skilled magicians under the right circumstances. The reason I enjoy thinking about, reading about, and, yes, practicing magic is because it frees me to experience things I hadn't even considered before.
I consider myself to be a pretty practical and skeptical guy, and here I am writing about wolves and relationships. This stuff is FUN, and I've learned a tremendous amount about myself and my world. My dabblings have broadened my perspective on the world and myself. Letting the weird into my life has made me more open minded and less afraid. THAT'S the real value here.
Sit in front of something nondescript. I've read you should use a bowl of water or a mirror, but I've done it staring at a wall or into the darkness in bed. Then, relax your eyes and let your brain go wherever it wants, and trust that everything you are seeing is real.
In my two favorite scrying episodes, I've seen myself as a Gandalf-type figure in white robes and a kick-ass white beard living in a tower of ice, staring down at the pristine, icy landscape with regal disdain. I've met my spirit animal, the wolf, and I'm not sure he's a particularly friendly fellow. He tends to chase other creatures away and jealously hoard his kills. I've also stared into complete and utter nothingness, the darkness behind the dark, and found that it's not that bad. If that's the afterlife, at least it will be relaxing.
It's what the the shamanic among us might call "having visions." "Talking to spirits."
Are you freaked out? Feel the need for a confession and Hail Mary?
Relax. If nothing else, my "visions" give me an excuse to post up the picture of Three Wolf Moon.
And as you might guess from the quotation marks, I don't think there's anything paranormal or spooky about these "visions." I am sure that a reader can identify a psychological technique that calls for a subject to let his mind do whatever it wants and analyze the results--free association, maybe? That's all that's happening here.
I learned a great deal about myself from these episodes. I'm a loner. I like solitude. I can isolate myself and push people away. If you had asked me a year ago, I guess I would have said I knew this stuff about myself, but I certainly wouldn't have felt it in my gut and accepted it as true the way I do now.
And I'm a guy who wants healthy relationships, so it's pretty useful to know that I have this streak in me. It allows me to control how it manifests itself better, I hope. Maybe I'm a little less quick to blow people off.
The larger point: when I talk about magic, I could really care less about whether the tricks and spells work, although I have no doubt that they do, for skilled magicians under the right circumstances. The reason I enjoy thinking about, reading about, and, yes, practicing magic is because it frees me to experience things I hadn't even considered before.
I consider myself to be a pretty practical and skeptical guy, and here I am writing about wolves and relationships. This stuff is FUN, and I've learned a tremendous amount about myself and my world. My dabblings have broadened my perspective on the world and myself. Letting the weird into my life has made me more open minded and less afraid. THAT'S the real value here.
Tuesday, January 17, 2012
Magic Week: How to Summon Manatees
I love manatees. On a list of my absolute favorite things, in which I include things like "my parents" and "my friends," manatees are easily in the top 20.
This is the story of how I summoned manatees.
My family has a house on a bay in Southwest Florida, and you can see manatee from our dock maybe once a week. Last March I was visiting and saw one on my second day down there. When I told my mom, she told me she hadn't seen one at all that season. I felt bad for her. Because manatees are awesome.
Here's where the magic happens.
I spent a good part of my week visiting in a state of deep meditation and contemplation of the aspects of my environment of which we are generally unaware. In that state, I remember wishing my mom could see a manatee, because it wasn't fair that anyone should not get to appreciate something so gentle and wonderful.
Within maybe two hours a manatee cruised on by. So did another one two days later.
I will now take questions from the audience
You know people can find anything you put up on the Internet, right?
Yes. Potential employers and soul mates, I am not insane, nor will I ever attempt to hex you. Even I knew how, I wouldn't, and it wouldn't work. Anyway, please finish this entry. It should dispel any questions about my sanity.
So...you can summon manatees? Like right now you could summon a manatee?
Right now? No. Even if I were in Florida, it's the cold season, when manatees are less active. I don't know if I could replicate the combination of deep gnosis and sincere unselfishness that was key to my success. Most importantly, it doesn't work like that, at least in my experience. Nature is really big and really complex. Each of us is pretty small. We don't get to snap our fingers and make nature do tricks at our command.
Could I get myself into the right state of mind in the right time of year and summon them again? I certainly intend to try when I go down there later this year. I may succeed, I may not.
If you can't do it again, did it really happen?
Given a million chances, you could never recreate the first events that led to falling in love for the first time. It took a combination of effort, circumstance, and luck that you could never again replicate. Magic isn't quite like that. If I were a more dedicated or capable magician, I probably could get manatees to show up again. The point is that replication is not everything. Stuff happens all the time that we can't recreate, but that doesn't make it less real. It still happened.
Ok, so what exactly do you think you did, summoner?
Two things, the first of which is pretty prosaic. I put myself in a state where I was far more likely to notice any manatee activity. The type of meditation I was in made the entire world incredibly interesting. I spent at least an hour just looking at the different flowers and plants in our yard. I savored the smells of the water. It's not surprising I was better able to hear when a manatee breached or recognize the ripples in the water they make.
The other thing? I was in a great mental place. The universe recognize that and sent out some signals, and the sea cows obliged. It's magic, fool. I don't know how it works. I'll get into some of the justifications better magicians than I give for how it might work in tomorrow's post, but even they are only guessing. There are forces at work in the universe that we cannot directly perceive or explain,. But we may, if we're lucky, good, and persistent, be able to tap into them.
Or it was just coincidence.
It certainly doesn't feel that way. In my heart of hearts, I am completely sure I did something magical that day. Nothing will ever convince me otherwise. But you could be right, skeptic. Maybe it was coincidence. I can't prove that it wasn't. Ultimately, it comes down to what you want to believe.
And you really believe this?
Nothing is true. Everything is permitted.
This is the story of how I summoned manatees.
My family has a house on a bay in Southwest Florida, and you can see manatee from our dock maybe once a week. Last March I was visiting and saw one on my second day down there. When I told my mom, she told me she hadn't seen one at all that season. I felt bad for her. Because manatees are awesome.
Here's where the magic happens.
I spent a good part of my week visiting in a state of deep meditation and contemplation of the aspects of my environment of which we are generally unaware. In that state, I remember wishing my mom could see a manatee, because it wasn't fair that anyone should not get to appreciate something so gentle and wonderful.
Within maybe two hours a manatee cruised on by. So did another one two days later.
I will now take questions from the audience
You know people can find anything you put up on the Internet, right?
Yes. Potential employers and soul mates, I am not insane, nor will I ever attempt to hex you. Even I knew how, I wouldn't, and it wouldn't work. Anyway, please finish this entry. It should dispel any questions about my sanity.
So...you can summon manatees? Like right now you could summon a manatee?
Right now? No. Even if I were in Florida, it's the cold season, when manatees are less active. I don't know if I could replicate the combination of deep gnosis and sincere unselfishness that was key to my success. Most importantly, it doesn't work like that, at least in my experience. Nature is really big and really complex. Each of us is pretty small. We don't get to snap our fingers and make nature do tricks at our command.
Could I get myself into the right state of mind in the right time of year and summon them again? I certainly intend to try when I go down there later this year. I may succeed, I may not.
If you can't do it again, did it really happen?
Given a million chances, you could never recreate the first events that led to falling in love for the first time. It took a combination of effort, circumstance, and luck that you could never again replicate. Magic isn't quite like that. If I were a more dedicated or capable magician, I probably could get manatees to show up again. The point is that replication is not everything. Stuff happens all the time that we can't recreate, but that doesn't make it less real. It still happened.
Ok, so what exactly do you think you did, summoner?
Two things, the first of which is pretty prosaic. I put myself in a state where I was far more likely to notice any manatee activity. The type of meditation I was in made the entire world incredibly interesting. I spent at least an hour just looking at the different flowers and plants in our yard. I savored the smells of the water. It's not surprising I was better able to hear when a manatee breached or recognize the ripples in the water they make.
The other thing? I was in a great mental place. The universe recognize that and sent out some signals, and the sea cows obliged. It's magic, fool. I don't know how it works. I'll get into some of the justifications better magicians than I give for how it might work in tomorrow's post, but even they are only guessing. There are forces at work in the universe that we cannot directly perceive or explain,. But we may, if we're lucky, good, and persistent, be able to tap into them.
Or it was just coincidence.
It certainly doesn't feel that way. In my heart of hearts, I am completely sure I did something magical that day. Nothing will ever convince me otherwise. But you could be right, skeptic. Maybe it was coincidence. I can't prove that it wasn't. Ultimately, it comes down to what you want to believe.
And you really believe this?
Nothing is true. Everything is permitted.
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